https://jimenagarcia-alvarez.com Página Personal Fri, 06 Jan 2023 06:21:40 +0000 https://jimenagarcia-alvarez.com en https://jimenagarcia-alvarez.com/Main-Page Fri, 06 Jan 2023 06:21:40 +0000 Página Personal https://jimenagarcia-alvarez.com/Main-Page <img width="2371" height="3557" width_o="2371" height_o="3557" data-src="https://freight.cargo.site/t/original/i/aa28ec03efa386d4bd90ec79a646c7c473ded9957477614cec0089f2f578e123/A000533-R1-36-37-2.jpg" data-mid="234288203" border="0" src="https://freight.cargo.site/w/1000/i/aa28ec03efa386d4bd90ec79a646c7c473ded9957477614cec0089f2f578e123/A000533-R1-36-37-2.jpg" /> &nbsp;𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹&nbsp; Secuencia herramienta: El despliegue del archivo, entre el gesto y la vozConferencia Performática con María Cerdá Coloquio Una Nueva Narrativa del Lenguaje Feminista: Investigación y ExperimentaciónUniversidad Nacional Autonoma de Mexico 2026 difusoressss mnemónicos: Kimcheenicuil Activación colaborativa con Fernanda Barreto, Lucía R, Gabriela Galván, esteban silva, Inés G. Irízar y Jimena García-Álvarez Studio Croma Ciudad de México 2025 Caldo TlalpeñoMuseo de Historia de TlalpanCiudad de México2025 Kimcheenicuil Studio CromaCiudad de México 2025 Centro Quiescente: Sesión de Escucha Sebastián Rico Tlalpan, Ciudad de México 2024 Centro Quiescente: MutarseNora Hinojo,Tlalpan, Ciudad de México 2024 Holobionte concierto de cierre La invisible presencia de lo común Ollín Vázquez, _Luzefímero y Alex Aceves El Claustro de Sor Juana, Ciudad de México2024Compostar automatismos: la unidad mínima de investigación es la relación laboratorio de dibujo experimental co-dirigido con Xalli Zúñiga El Claustro de Sor Juana, Ciudad de México2024 La invisible presencia de lo común exposición individual El Claustro de Sor Juana, Ciudad de México2024 Hay ternura en el malpaís Exhibición individual de Cantos al Tepozán Centro Quiescente, Ciudad de México 2023 Activación colectiva de resistencias minúsculas x a:a:a (asociación de acariciar lo acariciable), Antigua Academia de San Carlos, Ciudad de México 2023 Presentación de Entre la Asfixia y el Arrullo para Resonancias,con Ollín Vázquez Facultad de Música de la Universidad Nacional Autónoma de México, Ciudad de México 2023 IV Encuentro de Investigación Artística - LUXUS: Desgarrres territoriales, rupturas corporalescon Ollín Vázquez El Seminario Permanente de Investigación Artística (SPIA) nos convoca a compartir nuestra investigación&nbsp;Distensiones Sonoras: Grietas Epistemológicas entre la Asfixia y el Arrullo en La Ceiba Gráfica, Xalapa, Veracrúz 2023 Puertas Abiertas,&nbsp;Taller Pablo Torrealbamuestras de proyectos realizados en co-producción con Anémona Editores, Ciudad de México2023 Recuerdos Oníricos de un Organo x Crudooo 2, El Arenerowith Mariana Dussel a development of this same piece was exhibited as part of Perfofest, curated by Ana Zambrano during Mexico City’s Art Week, Ciudad de México 2023 Recuerdos Oníricos de un Organo x Mutaciones, Centro Nacional de las Artes with Mariana Dussel colaboración sonora que exploró la somatización de los recuerdos y cómo se entrecruzan nuestras sensaciones, nuestras presencias y nuestras narrativas a la hora de invocarlos, Ciudad de México 2023 Selva Lunar in Radio Tsonami&nbsp; x XVI Festival de Arte Sonoro Tsonami articulated by Éteres collaborative speculative set by Babak Ahteshamipour, Luis Fernando Amaya, Ylia Bravo Varela, Pedro Assam, Jimena García Álvarez-Buylla, Sandra Romeu, Maria Huerta, Lucía R, Carola Gómez, Daniel Robles Lizano, Carolina Vélez Muñiz, Nicolás Graham, Alberto Montes Zarate, Fernanda Dichi transmited live from Radio Nopal, Ciudad de México &amp; Santiago, Chile2022 Winter Tears by Laura Calcagno, Resolution, The PlaceVoice work for sound design by Camilla IsolaAn autobiographical exploration of memories, feelings and lies, this solo tells a story of uncertainty, distress and bittersweet emotions. It explores what it feels like to have someone question your own perception of reality and takes the audience through a nostalgic and melancholic journey, The Place, London2022 Voz de Tepozán : Residency in Diego Rivera’s Anahuacalli Museum with Valeria Navarro 5 month residency in which every week i visited a Tepozán tree living in a cave within the natural reserve surrounding Diego Riveras Anahuacalli Musem, created originaly to host his extensive prehispanic art collection. my. dear friend, actress, clowner and voice-magician Valeria Navarro came along for many of these visits and expanded the range of con-vivencial possibilities with this tree in Mexico City2022 Dead Spots x Experimental Sound Studio with Nicolás Graham, articulated by Éteres public program set integrating our speculative fantasy about habitability and alien ecosystems articulated into a live transmission for Experimental Sound Studio, Chicago2022 Selva Lunar in Biquini Wax &nbsp; with Nicolás Graham, curated by Carolina Vélez from Éteres&nbsp; poetry reading and sound making for a public event at the exhibit in. which we discussed and shared our speculative fantasies surrounding the habitability of our planet and the re-structuring of our relationships within and without humanity in Mexico City2022 Jardín Solar in Viverophilodendro&nbsp; with Nicolás Graham as part of Ciencias Ocultas poetry reading a sound making for plants and peoples in Maria’s and Diego’s plant nursery. This is the first commercial nursery in which we find Tepozan (Buddleja cordata) being&nbsp; reproduced and integrated into landscape design in Mexico City2022 Criaturas del Neo-Grotto in Studio Croma curated by Hellene Hector and Maggot Mush from Infexion Club we were invited to inhabit this speculative world for a couple of weeks in which I presented three painted photographs and one poem regarding loss and ambiguity.&nbsp;Criaturas del Neo-Grotto was a trans-disciplinary exhibit exploring themes around identitary and spatial liminality. The Neo-Grotto continues traditional Grotesque qualities such as monstruos possiobilities that hibridize and cross-polinate animal, human, vegetable andd other powers into a non-defined expressions that flee from burgeoise “good taste”, Mexico City2022 Criaturas del Neo-Grotto, Virtual Exhibit in The Wrong Biennale curated by Hellene Hector and Maggot Mush from Infexion Club web-Biennale platform featuring a selection of the artists that integrated the physical exhibition in Mexico City. The biennale allowed for an in depth exploration of the cavernous interrelations that inhabited Neo-Grotto’s speculative ecosytem of grotesque creatures and processes, The World Internet2022 ‘Skaftar Skogar’ and ‘El Bosque’ in Robida Magazine 7th issue printed publication in which Islands of Heron collaboration with Camilla Isola audio-stories is featured, Italy 2021 An Experiment in Emergence for Viral Ecologies has 2 videos and narrations reflecting around different perspectives of what is emergence and how we are constituited by it. Viral ecologies is a platform that sought to integrate artists working on themes regarding nature, time and connectivity during within a pandemic context, Chicago2021 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹