𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹 𓁹w𓁹

difusoressss mnemónicos: Kimcheenicuil
Activación colaborativa con Fernanda Barreto, Lucía R, Gabriela Galván, esteban silva, Inés G. Irízar y Jimena García-Álvarez
Studio Croma
Ciudad de México
2025

Caldo Tlalpeño
Museo de Historia de Tlalpan
Ciudad de México
2025

Kimcheenicuil
Studio Croma
Ciudad de México
2025

Centro Quiescente: Sesión de Escucha
Sebastián Rico
Tlalpan, Ciudad de México
2024

Centro Quiescente: Mutarse
Nora Hinojo,
Tlalpan, Ciudad de México
2024

Holobionte
concierto de cierre La invisible presencia de lo común
Ollín Vázquez, _Luzefímero y Alex Aceves
El Claustro de Sor Juana, Ciudad de México
2024

Compostar automatismos: la unidad mínima de investigación es la relación
laboratorio de dibujo experimental co-dirigido con Xalli Zúñiga
El Claustro de Sor Juana, Ciudad de México
2024

La invisible presencia de lo común
exposición individual
El Claustro de Sor Juana, Ciudad de México
2024

Hay ternura en el malpaís
Exhibición individual de Cantos al Tepozán
Centro Quiescente, Ciudad de México
2023

Activación colectiva de resistencias minúsculas x a:a:a (asociación de acariciar lo acariciable),
Antigua Academia de San Carlos, Ciudad de México
2023

Presentación de Entre la Asfixia y el Arrullo para Resonancias,
con Ollín Vázquez
Facultad de Música de la Universidad Nacional Autónoma de México, Ciudad de México
2023

IV Encuentro de Investigación Artística - LUXUS: Desgarrres territoriales, rupturas corporales
con Ollín Vázquez El Seminario Permanente de Investigación Artística (SPIA) nos convoca a compartir nuestra investigación Distensiones Sonoras: Grietas Epistemológicas entre la Asfixia y el Arrullo en La Ceiba Gráfica, Xalapa, Veracrúz 2023

Puertas Abiertas, Taller Pablo Torrealba
muestras de proyectos realizados en co-producción con Anémona Editores, Ciudad de México
2023

Recuerdos Oníricos de un Organo x Crudooo 2, El Arenero
with Mariana Dussel
a development of this same piece was exhibited as part of Perfofest, curated by Ana Zambrano during Mexico City’s Art Week, Ciudad de México 2023

Recuerdos Oníricos de un Organo x Mutaciones, Centro Nacional de las Artes
with Mariana Dussel colaboración sonora que exploró la somatización de los recuerdos y cómo se entrecruzan nuestras sensaciones, nuestras presencias y nuestras narrativas a la hora de invocarlos, Ciudad de México 2023

Selva Lunar in Radio Tsonami x XVI Festival de Arte Sonoro Tsonami
articulated by Éteres collaborative speculative set by Babak Ahteshamipour, Luis Fernando Amaya, Ylia Bravo Varela, Pedro Assam, Jimena García Álvarez-Buylla, Sandra Romeu, Maria Huerta, Lucía R, Carola Gómez, Daniel Robles Lizano, Carolina Vélez Muñiz, Nicolás Graham, Alberto Montes Zarate, Fernanda Dichi transmited live from Radio Nopal, Ciudad de México & Santiago, Chile2022

Winter Tears by Laura Calcagno, Resolution, The Place
Voice work for sound design by Camilla IsolaAn autobiographical exploration of memories, feelings and lies, this solo tells a story of uncertainty, distress and bittersweet emotions. It explores what it feels like to have someone question your own perception of reality and takes the audience through a nostalgic and melancholic journey, The Place, London2022

Voz de Tepozán : Residency in Diego Rivera’s Anahuacalli Museum
with Valeria Navarro 5 month residency in which every week i visited a Tepozán tree living in a cave within the natural reserve surrounding Diego Riveras Anahuacalli Musem, created originaly to host his extensive prehispanic art collection. my. dear friend, actress, clowner and voice-magician Valeria Navarro came along for many of these visits and expanded the range of con-vivencial possibilities with this tree in Mexico City2022

Dead Spots x Experimental Sound Studio
with Nicolás Graham, articulated by Éteres public program set integrating our speculative fantasy about habitability and alien ecosystems articulated into a live transmission for Experimental Sound Studio, Chicago2022

Selva Lunar in Biquini Wax
with Nicolás Graham, curated by Carolina Vélez from Éteres poetry reading and sound making for a public event at the exhibit in. which we discussed and shared our speculative fantasies surrounding the habitability of our planet and the re-structuring of our relationships within and without humanity in Mexico City2022

Jardín Solar in Viverophilodendro
with Nicolás Graham as part of Ciencias Ocultas poetry reading a sound making for plants and peoples in Maria’s and Diego’s plant nursery. This is the first commercial nursery in which we find Tepozan (Buddleja cordata) being reproduced and integrated into landscape design in Mexico City2022

Criaturas del Neo-Grotto in Studio Croma
curated by Hellene Hector and Maggot Mush from Infexion Club we were invited to inhabit this speculative world for a couple of weeks in which I presented three painted photographs and one poem regarding loss and ambiguity. Criaturas del Neo-Grotto was a trans-disciplinary exhibit exploring themes around identitary and spatial liminality. The Neo-Grotto continues traditional Grotesque qualities such as monstruos possiobilities that hibridize and cross-polinate animal, human, vegetable andd other powers into a non-defined expressions that flee from burgeoise “good taste”, Mexico City2022

Criaturas del Neo-Grotto, Virtual Exhibit in The Wrong Biennale
curated by Hellene Hector and Maggot Mush from Infexion Club web-Biennale platform featuring a selection of the artists that integrated the physical exhibition in Mexico City. The biennale allowed for an in depth exploration of the cavernous interrelations that inhabited Neo-Grotto’s speculative ecosytem of grotesque creatures and processes, The World Internet2022

‘Skaftar Skogar’ and ‘El Bosque’ in Robida Magazine 7th issue
printed publication in which Islands of Heron collaboration with Camilla Isola audio-stories is featured, Italy
2021

An Experiment in Emergence for Viral Ecologies has 2 videos and narrations reflecting around different perspectives of what is emergence and how we are constituited by it. Viral ecologies is a platform that sought to integrate artists working on themes regarding nature, time and connectivity during within a pandemic context, Chicago2021

𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹 𓁹o𓁹

Jimena García Álvarez-Buylla

⇉ Artistic Practice/ Research

Emergence: The Woods / The Way